Using case studies related to the #MeToo movement and the publishing industry. Melissa Mack (Witt O’Brien) demonstrates how the principles of Crisis Management can be used to mitigate consequences of all types of crises.
tech forum
Join a panel of experts from the publishing industry and beyond for an overview of blockchain technology: the opportunities and potential roadblocks it could present the publishing supply chain.
This presentation for marketers who are considering using bots for their business, highlighting what they are, why they’ve become so popular, and how to leverage them for customer service, e-commerce, and more.
Léonicka Valcius and Anyka Davis interrogate and rethink in-house processes and assumptions that come before publication date, including acquisitions, audience identification, setting sales expectations and budgets, and more.
Saadia Muzaffar guides us through an exploration of how leaders in the publishing sector can reimagine their work and its impact, and reconcile that with the realities of business and bottom lines.
Using the context of his experience as both a publisher and within an all-you-can-read service, Nathan Hull will explore why providing less choice might actually be of more value to the reader.
Librarian and technologist Jessamyn West will talk about what we know about the digitally divided and what works… and what doesn’t to help them interact with the larger world of technology.
Join us for a Loan Stars update where we’ll discuss its impact over the past year, trends we’re noticing, and how you can get involved.
Learn more about the Canadian book industry’s bibliographic aggregation system and how it’s supporting publishers, distributors, booksellers, and everyone in between.
Inspired by the success of premium episodic television, Molly Barton launched Serial Box. In this session she discusses how their content differs from books delivered in pieces.
BookNet’s BiblioShare database now holds over 2 million public records – what are we doing with all that bibliographic data?
Robert Wheaton suggests that publishing’s “old world” business model doesn’t constitute dead weight, but rather a secret weapon.












