Jessica Albert (ECW Press) and Brendan Ouellette (Annick Press) discuss the many options available to large and small publishers when creating an audiobook program from the ground up.
tech forum
This presentation introduces everyone to the process of creating something where there wasn’t something before, and demoing what has been done so far for the audiobook spec.
The latest statistics on Canadian book buying, reading, and consumer habits.
Shannon Culver (eBOUND Canada) and Sabina Iseli-Otto (National Network for Equitable Library Service) share some of the lessons learned at this year’s Accessible Publishing Summit.
Tricia McCraney (Virtusales Publishing Solutions) offers insights on how you can anticipate everything from costing and estimating to contracting, rights sales, and royalties for audiobook formats.
Keely Kundell and Brendan Flattery (Harlequin) talk about their new module for metadata that will revolutionize the way they reach consumers, market their books, maximize data integrity, and optimize data at scale.
Tim Middleton (BookNet Canada) shares how with 3 million records (and counting), BNC BiblioShare has grown into the go-to source for quality-assured book data in Canada.
Carol Gordon (BookNet Canada) provides a first-hand look at the latest upgrades to the BNC CataList system and shares some of the new developments planned for 2019.
How do we shift from “gatekeeping” towards “spacemaking”: a process that solicits, supports, and develops the work of marginalized writers and professionals?
These panelists have one goal: Get more books into the hands of readers. They talk about their efforts in working together to support book sales in ways that are creative, collaborative, and constructive.
A case study of moving an online bookstore from one website to another — an epic tale, including the unexpected problems they encountered along the way and how they were solved or are being solved.
Learn how Penguin Random House Canada adopted an audio-first strategy, hired Canadian acting talent, and recorded in studios both in-office and across the country.












